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With four months left in the Navy, I contacted a couple of animation studios and people saying I’d like to visit them during those four months to show my portfolio and try out for a starting position in their studio. Any good stories about working with them? Q: What was the first studio you got a job at? I remember reading on your blog that early on in your career you worked with the likes of John Hubley and Tissa David. I was pretty much self-taught until I entered the business. I focused on the art classes and continued to do animation on my own. When I started they dumped the animation course. I went to school to study animation but there was only one school in NY at the time that offered a degree and had an animation course, NY Institute of Technology. Q: Did you go to school for animation? Or were you self taught? (I animated on 3 hole looseleaf using an “Animation Kit drawing table” bought from the Disneyland Art corner.) By the time I started college at age 17 I had done 2½ hrs of animation on 8mm film. Of course, that’s when I learned what parallax was, and had filmed the peg holes.
PENCIL 2D INBETWEENERS MOVIE
(Back in 1950 there weren’t many cartoons on TV so she must have taken me to a movie theater.) By 12 I had bought a regular 8mm camera and started filming animation I had already done. When I was four my mother recalls my demanding cartoons on the TV. How did you get interested in animation? Were there any animated films that inspired you to break into the industry? Q: So lets start with your history before we get into Poe. He very kindly accepted to do this excellent interview for us and it’s a great insight into the mind of a brilliant animation director. Michael Sporn’s blogis one of the most valuable resources on animation that’s packed with amazing articles, drawings, and model sheets.